In the serenity of his Senegalese studio, inhabited by birdsong, artist Omar Ba begins the canvas on the floor, applying a deep black background. Prejudice in the genesis of his dedicated work, which calls into question the state of the world and the place of the African continent.
This black background “It’s like night: perspective can be lost, but for me every subject and everything finds its place”, he says in the private life of his studio. For many minutes, revolving around the canvas for more than five meters, he squats and throws himself into a sketch of a group of young people. He says “to be” black, “Noble and wonderful”be in “perfect union” with this color. “I feel that any other color I apply will give me exactly what I want”he explains.
After hundreds of strokes, his canvas will be filled with hybrid creatures, dreamy visions with shimmering colors and dizzying details, where he interacts with the plant, animal and human kingdoms. At 45, Omar Ba is one of the rising stars of contemporary African art and one of the most valued artists by collectors.
From the galley to the largest museums
Omar Ba is one of the sensations of the 14th Dakar Biennale. The artist expresses joy at being exhibited for the first time in the country where he was born. It was in Dakar, after graduating as a mechanic, that he began his art, which has continued in Geneva since 2003.
The artist experienced a galley, exhibiting in hairdressers and cafes, before in 2009 his talent was revealed by curator Federico Martini. Since his first exhibition in Switzerland in 2010, he has exhibited at the Pompidou Center in Paris and at many of the largest institutions around the world.
Omar Ba has built a workshop at the Peace Shelter, where he recharges his batteries in the middle of a mango tree plantation, an hour’s drive from Dakar. The land is occupied by cows, ducks, wild flowers and birds flying over its canvases.
The workshop accumulates a piece of material, like these adjustment pens, with which he separately sorts his drawing and objects found for documentation, like these World War II magazines. They helped him understand the propaganda when this grandson of a Senegalese shooter wanted to condemn the destruction of the war.
Works on the traumas of colonialism
Mysterious, even hallucinatory and richly poetic, his work is inhabited by creatures with the heads of goats, sheep or Horus, an Egyptian deity with the head of a falcon. “These half-human, half-animal characters are reminiscent of the nature of people who, in my opinion, behave like animals in the jungle.”he notes.
His characters embody the traumas inherited from colonialism, tyranny, violence, North-South inequality, and hope. At the 2021 exhibition in Brussels, he represented several imaginary heads of state sitting at a table, their hands resting on a book symbolizing this Constitution, which many true leaders manipulated to stay in power indefinitely. “We see that Africa wants to go somewhere else, wants to move… There are wars, overthrown heads of state, dictatorships; it worries me “he says.
“He reinvents painting!”
“Omar Ba? But he is reinventing painting! ”exclaims the artistic director of the biennial Malik Ndiaye, “this is a powerful and innovative work” and a relentless process of research. Ba is represented by Templon, a famous French gallery. He now exhibits about twenty paintings at the Royal Museum of Fine Arts of Belgium, another exhibition is scheduled for September in New York, and a retrospective at the Baltimore Museum in November.
“His work is much more complex than most things you can see: his workmanship, his use of bestiary and color are strikingly strong and beautiful.”believes his gallery owner Mathieu Templon. “He is one of the African artists who has the most aesthetic and political work today.”
AND “African artist should not be indifferent to what is happening on this continent”believes Omar Ba. “We must try to see what we can bring to finally build, calm and give hope”he said with a gentle smile.